Following on from my last post I planned
to have completed the baby for my little lady, ‘Mama Rags’. Unfortunately, recent thrilling events have
conspired against me and I have only managed to progress the baby thus far.
The thrilling event that I previously
alluded to was the first official sale on my Etsy shop this week. Mere words cannot convey how completely
thrilling this experience was and there is no greater compliment than someone
who is willing to exchange their tax-deducted earnings for something you have
thought about, designed and created. Anyway,
I am happy to report that the claret fish has been gift wrapped and will be
received by a special lady this weekend for mother’s day.
In addition to this I received a telephone
call with a commission for another fish. What it is to be bombarded by discerning
customers with fabulous taste. Gosh, I
am getting rather carried away with the self congratulations, must keep that in
check. The main requirement for this
commission is the opulent colour scheme of gold and ivory. However, trying to create the vision in
someone else’s mind can be quite a task as I am sure we all perceive things
differently and equally sure of our own impeccable sense of taste. Sometimes
ideas can get lost in the translation so in order to avoid disappointment I
propose to make several fish according the given criteria to show a range of
possibilities and hopefully there will be at least one that suits.
For the first fish I am going to use the
superb, designer, cotton velvet, ‘D’Urberville in Summer Ochre’, by Watts of Westminster. This company was originally founded by three
architects in 1874 at the same time that William Morris, arguably the most
influential designer of the nineteenth century, was prevalent.
The pattern originates
from 1795 and depicts a charming French pastoral scene typical of the period,
commonly known as toile. The cartouche
and vignettes are shades of taupe and earthy tones, reminiscent of old maps and
sepia tinted photographs, which fade to an ochre background giving an instant
antique look. I feel privileged to have a small quantity in my possession.
To fully appreciate this
remarkable fabric it should be viewed as a pair of exquisite curtains that lavishly adorn the windows of a fine home. However, the scale of the pattern requires a room
and the means of stately proportions and at £120 per meter it is, perhaps, not for those
of us with a modest budget and equivalent room size. However, I think it is possible to enjoy this
fabric on a smaller scale by adding a touch of luxury with a subtle fabric
sculpture to enhance your environment.
‘D’Urberville in Summer Ochre’, by Watts of Westminster, trimmed with gold silk taffeta, glass seed beads and a range of sequins.
Subtly fragranced with the essential oils, ylang ylang, bergamot and patchouli.
An aerial view.
Fish number two
coming soon.
